Orosz Zoltán – Hora Bucuresti – Paparazzi video ..:)Harmonika – Accordion
Hungarian accordionist Zoltan Orosz plays Hora Bucuresti with his band.
Doublebass:Csaba Peng?
Guitar:Gábor Ursu
Drums:Ferenc Szabó
Accordion:Zoltán Orosz
Take a look at www.harmonika.hu.
Duration : 0:2:1
Schwarze Krähe – Deutsche Harmonika – Cajun Accordion
- ein tragödie von jahre her – geschrieben von Astro und ubersetzt auf Deutsch von Oldrik O.W. Scholz – das Stuck werdet gespielt auf ein in Louisiana von Jr. Martin gebaute Cajun Accordeon oder Deutsche Harmonika in B (Bb in andere lander) in den tonart F – sehe auch: http://www.crooks-stringband.nl and http://www.astromusic.org -
lyrics:
Die schwarze Krähe
©Artpurg 2003/ Deutsche ubersetzung Oldrik W.Scholz
Eine schwarze Krähe, saß auf ‘nem Zaun
Ihr Krächzen laut — was für ein Grau’n!
Seine Frau der Bauer fragt,
ob sie auch dieses Krächzen plagt.
He he, die schwarze Krähe
Liebe Frau, geh hin zum Stall.
Ich hab genug, ein für allemal
Hol mir schnell die Flinte raus!
Ich blas’ dem Biest die Lichter aus!
He, he, die schwarze Krähe
Der Bauer schlich hinaus aufs Feld.
Sie hat ihn lang genug gequält.
Er schrie: Du Wrack, so sitz doch still!
Ich seh’ nicht gut ohne meine Brill’
He, he, wo ist die Brill’?
Ein lauter Knall, zerbroch’nes Glas,
Ein Riesenloch, wo das Fenster saß.
Die Kugel schlug grad’ in den Bau
und traf die arme Bauersfrau
He he, die arme Frau
All der Staub sank leise hin.
Die Bauersfrau lag still darin.
Was tat der dumme Bauer dann?
Nahm sich ‘nen Strick; erhängt’ sich dran.
He he, der arme Mann
Der Doktor kam so schnell es geht.
Doch wie so oft war’s schon zu spät.
Der Pfarrer kam, ein echter Held
Sprach ein Gebet und wünschte Geld
He he, die schwarze Krähe
Es ist noch Zeit für die Moral,
Denn sonst passiert so was noch mal
Überm Friedhof kreist sie allezeit,
Die alte Krähe, und sie schreit
He he, die schwarze Krähe
Duration : 0:2:52
Roland V-Accordion FR-2 (Played by Dominique Paats)
This is the new Roland Fr-2!! The newest and smallest of the FR series V-Accordions are the FR-2 (model with piano type keyboard) and the FR-2B (model with button keyboard). The FR-2/2B was developed for live performers as well as hobby musicians, beginners and young people.
Main characteristics:
- Longer batterylife (approx. 5 hours)
- V-Accordion without speaker (we recommend the lightweight yet powerful CM-30 as external amplifier)
- SONG-function (8 internal songs) with Minus One (disable one part), controllable expression by means of the bellows
- PAD-function allows to play percussion sounds via the Bass Register-buttons, also in combination with the Bass and Chord buttons
- Record loops with the PAD-function
- 8 Accordion Sets
- 8 User Program Registrations
- Easy control thanks to the light emitting rubber Register-buttons for high and low tones
- Exchangeable Inlay Sheet with transparent acrylic cover. The user can choose from 6 included Inlay Sheets or can create his own design
- Sergio Scappini’s V-Accordion Tutorial book and Tutorial DVD included
Duration : 0:3:30
slovenian accordion playerPhillip at Accordion in Concert ’04 – Trumpet Echoes Polka
This is my first video on YouTube!
More videos: http://www.youtube.com/view_play_list?p=0FF3427BDEF88F29
Part 1 of my first “large” public appearance after learning the piano accordion for 13 months in 2004
Duration : 0:3:22
Katyusha (??????) – Accordion
Introducing my very first accordion video on You Tube!
Russian wartime song. I’ve only been playing accordion for 6 months.
Duration : 0:1:12
Piano Accordion First-Time Buyer’s Pricing Guide
This video gives an overview of the top 5 things to consider when purchasing a piano accordion for the first time.
Duration : 0:9:38
Beaumont Rag – Cajun Accordion – Saulieu 2009
While waiting for the train from Liernais to Saulieu, France; a hommage to the nearby village of Beamont. Here’s an interpretation of a well known Bluegrass fiddle tune on a Cajun accordion. On fiddle it’s usually played in the key of F. Clarence White recorded a beautiful flat-picking guitar version of it in the key of C.
Duration : 0:2:17
Cajun Accordion (KNIRI TUNING) Hohner One Row, Melodeon, Alternate Tuning “Blues Oergeli”
The accordion (Hohner 1 Row 114 C) shown in the video,
has a special circular tuning “in the circle of 5th”, *Kniri Tuning 221*
I came up with some alternative tunings for diatonic Accordions. The one row Cajun-Accordions do usually have the ‘Richter’ tuning.
I was looking for an easier way to play the Blues with the common three chords (C, F and G7 in the key of C). After playing around for some time I found a continuous mathematical scale (“221″ Scale) for diatonic Instruments with 10 Buttons. This means that the notes do always have the same steps(221221221221…..2=wholetone, 1=halftone) This allows to play on the same Instrument 5 different Major and Minor scales and 16 different triads, which are related/similar to the circle of fifths.
A more detailed description of this alternate accordion tunig system can be found at
http://www.kniri.ch/bluesaccordion.aspx
Das “Bluesörgeli” mit “221″ Tuning,hat eine von mir entwickelte Tonanordnung (“221″ Skala), mit der man auf demselben 10-Knopf- Accordion identische Melodien in verschiedenen Tonarten spielen kann, das heisst in 5 Dur- und 5 Molltonarten über mehr als 1 Oktave.
Es sind zudem 16 verschiedene Dreiklänge im Quintenzirkel möglich, immer 3 Töne nebeneinander liegend.
Näheres unter:
http://www.kniri.ch/bluesoergeli.aspx
Duration : 0:2:59
Those Were the Days – Accordion solo – Video dedicated to Inky261 – Thank you Christl
http://www.accordionchiarenza.com – THIS VIDEO IS DEDICATED TO CHRISTL (INKY261) AS A REWARD TO HER ACTIVE AND CONSTANT PRESENCE IN THE COMMUNITY OF YOUTUBERS.
A PARTICULAR THANKS TO HER FOR HER GREAT WORK IN FAVOUR OF ACCORDIONISTS -
The title of song: Those Were the Days.
This song is credited to Gene Raskin.
The first known recording of the song was by Alexander Vertinsky in the 1920′s -
Those Were the Days was released on 30 August 1968 –
It was Mary Hopkin’s debut single -
•England: Those were the days
•Russland: ??????? ??????? (Dorogoi dlinnoyu)
•Spain: Que tiempo tan feliz
•Argentina: Aquellos fueron los dias
•Poland: To by?y pi?kne dni
•West Germany: An jenem Tag
•Italy: Quelli erano giorni
•France: Le temps des fleurs
•Sweden: Ja, det var då
•Romania: Azi vreau sa rad din nou
•Hungary: Ábrándos szép napok
•Netherlands: Dat waren de dagen
•Japan: ?????
•China: ?????
Once upon a time there was a tavern
Where we used to raise a glass or two
Remember how we laughed away the hours
And think of all the great things we would DO
Chorus:
Those were the days, my friend
We thought they’d never end
We’d sing and dance forever and a day
We’d live the life we choose
We’d fight and never lose
For we were young and sure to have our way
La la la la la la
La la la la la la
Then the busy years went rushing by us
We lost our starry notions on the way
If by chance I’d see you in the tavern
We’d smile at one another and we’d say
Those were the days, my friend
We thought they’d never end
We’d sing and dance forever and a day
We’d live the life we choose
We’d fight and never lose
Those were the days
Oh, yes, those were the days
La la la la la la
La la la la la la
Just tonight I stood before the tavern
Nothing seemed the way it used to be
In the glass I saw a strange reflection
Was that lonely woman really me?
Those were the days, my friend
We thought they’d never end
We’d sing and dance forever and a day
We’d live the life we choose
We’d fight and never lose
Those were the days
Oh, yes, those were the days
La la la la la la
La la la la la la
Through the door there came familiar laughter
I saw your face and heard you call my name
Oh, my friend, we’re older but no wiser
For in our hearts the dreams are still the same…
Those were the days, my friend
We thought they’d never end
We’d sing and dance forever and a day
We’d live the life we choose
We’d fight and never lose
Those were the days
Oh, yes, those were the days
La la la la la la
La la la la la la
Duration : 0:2:17